Design

Sleuk Rith Institute Designed By Zaha Hadid

Sleuk Rith Institute Designed By Zaha Hadid

ZAHA HADID – DESIGNER OF SLEUK RITH INSTITUTE, CAMBODIA

Building on the past to educate the future

The Sleuk Rith Institute – a new institution and genocide memorial in the Cambodian capital Phnom Penh – brings together a museum, research centre, graduate school, document archives and research library. The institute will house the Documentation Centre of Cambodia’s one million documents in its archives and, as the largest collection of genocide related material in Southeast Asia, will become a global centre for education and research into the documentation, causes and prevention of genocide.

The vision of Youk Chhang, a human rights activist and investigator of the Khmer Rouge atrocities, the Sleuk Rith Institute was founded by Chhang as a focus for reflection, healing and reconciliation as well as an enlightening educational and research facility dedicated to commemorating the lives of the past by building a better future.

The Institute’s name Sleuk Rith means ‘the power of the leaves’. Cambodian religious leaders have used dried leaves for centuries and scholars to document history, disseminate knowledge, and preserve culture during periods of harsh rule and grave peril.

During the 1970s, Youk Chhang, at the age of 15, was a prisoner under the Khmer Rouge and members of his family were victims of the regime. Through his Documentation Centre of Cambodia, he has spent more than a decade amassing details of atrocities committed by the former Cambodian regime, The Democratic Kampuchea (DK), which is also known as the Khmer Rouge. Despite the tragic history explored at the institute, Youk Chhang’s research led to the very considered brief for a building that promoted reflection and reconciliation, and also inspired and innovated. “Cambodia will never escape its history, but it does not need to be enslaved by it. Post-conflict societies have to move on,” he says.

This brief required a direction that breaks from some of the stereotypes associated with genocide memorial architecture. “In the context of genocide and mass atrocity, memorial architecture has tended to reflect the evil and misfortune of the historical period it represents,” he says. “In this sense, the architecture’s legacy is dark, sombre, and firmly oriented to the past.”

A FORWARD LOOKING INSTITUTION

Sleuk Rith Institute_Foyer

“We were keen to create a forward-looking institution that deviates from the distress-invoking, quasi-industrial, harshness of most existing genocide memorial models. This is not to criticise or denigrate such models but, instead, to emphasise that in light of Cambodia’s rich cultural and religious traditions, we must move in a different and more positively-oriented direction.”

The Sleuk Rith Institute will not focus only on the past, but rather seek to create an institute that will also be enlightening; a place for new generations to learn from the lessons of the tragedies of the past while exploring ways to heal, and move forward.

The Sleuk Rith Institute will combine a strong educational and outreach programme together with its ongoing work for social justice as well as the commemorative nature of a memorial museum.

DESIGN OF INSTITUTE

The institute’s design is organised as five wooden structures that are separate volumes at ground level, but interweave and link together as they rise upwards, connecting the different departments, visitors, students and staff within a singular whole. With an overall footprint of 80m x 30m at the base and 88m x 38m at roof level, the structures range between three to eight storeys.

Each of these five buildings will house a different function: the Sleuk Rith Institute – a library holding the largest collection of genocide-related material in Southeast Asia, a graduate school focussing on genocide, conflicts and human rights studies, a research centre and archive to influence national and regional policies and discourse, a media centre and an auditorium that can be used by the institute and the entire community.

The architecture of the ancient temple site Angkor Wat, and Cambodia’s many other remarkable Angkorian sites, builds complexity by combining and interlocking a multitude of geometric forms in a formal progression of connected enclosures.

Sleuk Rith Institute Designed By Zaha Hadid

As they gain in height and coalesce, the Sleuk Rith Institute’s five buildings define an intricate spatial composition of connecting volumes, generating a series of exterior and interior spaces that flow into each other to guide visitors through the different areas for contemplation, education, engagement and discussion.

The design connects the museum, library, school and institute at various levels, allowing different users to interact and collaborate, enhancing their understanding and experience. Yet each of the institute’s functions is also able to operate independently when required.

Constructed from sustainably-sourced timber, the primary structure, exterior shading and interior partitions give natural scale, warmth and materiality.  The more complex forms have been designed and engineered to be assembled from economical straight and single-curved timber sections with established technologies.

The site is located in the grounds of the Boeung Trabek High School in Phnom Penh, south of the city centre. The existing school buildings (now abandoned when the high school moved to its new premises) were used as a re-education camp during the Khmer Rouge regime – as were many schools in Cambodia – making this a fitting location for the Institute: building on the past to educate the future.

To accommodate Cambodia’s tropical climate, the narrower lower levels of the institute are shaded by the building’s form, while louvers on the upper levels keep out strong sunshine. Located at the confluence of the Mekong and Tonlé Sap Rivers, the institute’s buildings will be built on raised terraces, to protect from Phnom Penh’s seasonal flooding.

Visitors approach the building on causeways above reflecting catchment pools that mirror the building’s form and bring light deep into the internal spaces. As with the catchment pools of Cambodia’s ancient temple sites including Sras Srang and Angkor Wat, these pools – and those on the upper level courtyard and terraces – will be fed by harvested rainwater and are integral to the institute’s water management processes that minimise the impact on the local environment and drainage systems.

Entering through the atrium at the centre of the building, visitors are welcomed by exhibits from the Institute’s collection. From here visitors are directed to the museum where exhibitions continue or to the school and auditorium. The auditorium is on ground level while classrooms and professors’ offices are organised around the outdoor courtyard above and continue on upper floors. Above the entry atrium, the Institute houses the Documentation Centre archive, with offices for researchers and Institute administration on the top levels. A bridge is suspended above the atrium to connect the school and library.

Sleuk Rith Institute Designed By Zaha Hadid

The building’s passive design – including measures to reduce energy and water consumption while increasing system efficiencies, and the installation of renewable energy sources – will increase its ecological performance. The institute’s form minimises solar gain, and the external shading system will be varied on each elevation to reduce solar gain whilst maintaining sufficient daylight levels where required. Thermal buffer zones protect the sensitive archive and exhibition spaces and further reduce energy consumption. Waste water will be treated on-site via bio-reactors or a natural plant-based wastewater treatment system that can be incorporated within the park.

The horizontal roof of the building is hidden from view to house renewable energy sources that are extremely effective in Phnom Penh’s climate: photovoltaic cells for power and a solar thermal array for hot water generation. Plant and air-system heat exchangers will also be located on the roof, maximising the area within the building for the institute’s commemorative, educational, cultural, and community programmes.

The institute includes a 68,000sqm memorial park for the entire community with sport fields, urban vegetable garden and fruit orchards, traditional meadows and a forest that will house contemporary Cambodian sculptures, many of these commemorating the women that helped to rebuild the country. The park slopes away from the building to provide further protection against seasonal flooding. The park is landscaped to become a large retention pond during heavy monsoon rains, alleviating the city’s existing flood drainage.  The park’s many pedestrian paths link together neighbouring streets that had previously been disconnected, inviting the local community into the heart of the institute.

Location Phnom Penh, Cambodia

ARCHITECT

Zaha Hadid Architects (ZHA)
Design: Zaha Hadid and Patrik Schumacher
ZHA Design Director: DaeWha Kang
ZHA Lead Designer/ Project Leader: Brian Dale
ZHA Project Team: Malgorzata Kowalczyk
Michal Wojtkiewicz, Torsten Broeder, Fernanda Mugnaini

CONSULTANTS
Arup (Structure/MEP/Façade/Lighting/Acoustics)

Project Data Site area (including memorial park)
70000 sqm

Total floor area
8,000 sqm

Footprint area
2,400 sqm

Maximum height
42.5 m
Project Director: Chris Carroll
Project Manager / Structure Lead Ben Lewis
MEP Lead: Emmanuelle Danisi
Facade Lead: Jonathan Wilson
Lighting: Giulio Antonutto
Acoustics: Philip Wright
Project Team: Vincenzo Reale, Jason Simpson, Edward Clarke
Anne Gilpin, Toby Clark, Sara Clark, Michael Young

AECOM (Landscaping)
Design Director: Phil Black
Project Manager: Mun Pheng Mak
Associate: Sarmistha Mandal
Design Team: Hwei Hwei Chan, Akarapol Chongwattanaroj,
Eunice Chia, Chung Ho Kim

Renders: MIR

Illustrations: Jan-Erik Sletten

Zaha Hadid :

Zaha Hadid, founder of Zaha Hadid Architects, was awarded the Pritzker Architecture Prize (considered to be the Nobel Prize of architecture) in 2004 and is internationally known for her built, theoretical and academic work. Each of her dynamic and pioneering projects builds on over thirty years of exploration and research in the interrelated fields of urbanism, architecture and design.

Born in Baghdad, Iraq in 1950, Hadid studied mathematics at the American University of Beirut before moving to London in 1972 to attend the Architectural Association (AA) School where she was awarded the Diploma Prize in 1977. She founded Zaha Hadid Architects in 1979 and completed her first building, the Vitra Fire Station, Germany in 1993.

Hadid taught at the AASchooI until 1987 and has since held numerous chairs and guest professorships at universities around the world. She is currently a professor at the University of Applied Arts in Vienna and visiting professor of Architectural Design at Yale University.

Working with senior office partner, Patrik Schumacher, Hadid‘s interest lies in the rigorous interface between architecture, landscape, and geology as her practice integrates natural topography and human-made systems. leading to innovation with new technologies.

The MAXXI: National Museum of 21st Century Arts in Rome, Italy and the London Aquatics Centre for the 2012 Olympic Games are excellent manifestos of Hadid‘s quest for complex, fluid space. Previous seminal buildings such as the Rosenthal Center for Contemporary Art in Cincinnati and the Guangzhou Opera House in China have also been hailed as architecture that transforms our ideas of the future with new spatial concepts and dynamic, visionary forms.

Zaha Hadid Architects continues to be a global leader in pioneering research and design investigation. Collaborations with corporations that lead their industries have advanced the practice‘s diversity and knowledge, whilst the implementation of state~of-the-art technologies have aided the realization of fluid and therefore complex architectural structures.

Currently Zaha Hadid Architects is working on a multitude of projects worldwide including: the High-Speed Train Station in Naples; the CityLife masterplan and tower in Milan; the Library & Learning Centre at the Vienna University of Economics as well as major master-planning projects in Beijing, Bilbao, Istanbul and Singapore. ZHA’s portfolio also includes cultural, corporate, academic and infrastructure projects across Asia, the Middle East, Europe and North and South America, in addition to national institutions such as the new Central Bank of Iraq Headquarters.

Zaha Hadid Architects‘ work of the past 30 years was the subject of critically-acclaimed exhibitions at New York’s Solomon R. Guggenheim Museum in 2006, London‘s Design Museum in 2007, the Palazzo della Ragione, Padua, Italy in 2009, the Philadelphia Museum of Art in 2011 and the Danish Architecture Centre in 2013. Her recently completed projects include The Eli & Edythe Broad Art Museum in Michigan (2012), Galaxy SOHO in Beijing (2012), Pierresvives Library and Archive in Montpellier (2012), CMA CGM Head Office Tower in Marseille (2011), London Aquatics Centre (2011), Riverside Museum in Glasgow (2011), Guangzhou Opera House (2010), Sheikh Zayed Bridge in Abu Dhabi (2010), MAXXI Museum in Rome (2009), Burnham Pavilion in Chicago (2009), Mobile Art for Chanel in Hong Kong, Tokyo, New York and Paris (2008) and the Nordpark Railway Stations in Innsbruck (2008).

Hadid‘s outstanding contribution to the architectural profession continues to be acknowledged by the world‘s most respected institutions including the Forbes List of the World‘s Most Powerful Women and the Japan Art Association presenting her with the ‘Praemium lmperiale’. In 2010 and 2011, her designs were awarded the Stirling Prize, one of architecture’s highest accolades, by the Royal Institute of British Architects. Other recent awards include UNESCO naming Hadid as an ‘Artist for Peace’, the Republic of France honouring Hadid with the ‘Commandeur de l‘Ordre des Arts et des Lettres’, TIME magazine included her in their list of the ‘100 Most Influential People in the World‘ and in 2012 Zaha Hadid was made a Dame Commander of the Order of the British Empire by Queen Elizabeth II.

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